Spring is Here!

Spring has finally arrived, and we have had some nice days here at Indiana University of Pennsylvania. Spring is my favorite time of year, with crocuses blooming and the snow finally shifting into rain. Equinoxes, like the spring equinox, are recognized by many Native cultures for various reasons, so I wanted to learn about some Native American spring myths and legends.

One Chippewa Legend tells the story of a cold, old man encountering a young man as he entered his lodge. As they smoked a pipe, the old man said that he was Peboan, the Spirit of Winter, while the younger man said he was Seegwun, the Sprit of Spring. They described their abilities; how one shakes their locks and snow blankets the land, while the other shakes their ringlets and warm rain showers fall. As they spoke the weather changed and Peboan and his lodge dissolved and faded into tiny streams of water, leaving behind the first blossoms of spring as Seegwun grew stronger and more radiant.

Another legend is based on a tribe from the south-western country in Texas, and tells of a time when the beginning of spring was met with bitter cold days, making the people of the tribe suffer from great hunger. The tribe’s medicine man beat his drum and called to the Great Spirit. The Great Spirit responded and told him that there was no rain, flowers, or animals, because the tribe had angered him. But, by giving the Great Spirit a burnt offering of something they love and scatter the ashes, then this will please him. A little girl heard what the medicine man had said and realized that she would have to sacrifice her kachina doll, because she felt that nothing could be more loved than it. She sacrificed her doll, and after the ashes had blown away in the wind, the ground began to warm, the smell of spring spread, and a misty rain fell. On the hills around the camp a new flower was growing. They grew in the shape of the little bonnet of feathers her doll had worn. They were blue like the color of feathers, with a speck of red at the center for the fire it had burned in and tipped with silver gray like the ashes that were left behind. The Indians named them bluebonnets and the town knew what the little girl had done. Whenever these flowers appear, the Great Sprit has brought spring.

Because we are still in Women’s History month, I also wanted to include this excerpt from our recent Instagram post, written by fellow graduate student Mikala Hardie, about Bertha Parker Cody who is considered the first Native American female archaeologist. She was of Abenaki and Seneca descent and first learned about archaeology in the field when her uncle took her on one of his digs at a Mesa House site. She is most well known for her discovery at the Gypsum cave site in 1930. Here, she found an ancient ground sloth skull next to human-made tools suggesting that early humans inhabited the United States much earlier than previously thought. In 1933 the Southwest Museum hired her to write up reports of the Gypsum cave site and catalog the artifacts found there. Throughout the rest of her professional career, she wrote a number of articles about the Native American tribes found in California. Currently, she is honored through the SAA’s “Bertha Parker Cody Award for Native American Women”.

I wish you all the best spring!

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Further Reading:

https://www.firstpeople.us/FP-Html-Legends/TheSpringBeauty-Chippewa.html

http://whisperingbooks.com/Show_Page/?book=Native_American_Legends&story=Kachina_Brings_The_Spring

Agatha Christie and Archaeology, An Understated Connection

Has anyone watched the movie Death on the Nile recently? Agatha Christie’s 1937 fictional detective story set in Egypt was recently taken to the big screen, sure to wow any audience, archaeologists included! But did you know that Christie has a strong connection to the world of archaeology, which influenced many of her novels other than Death on the Nile, such as Murder in Mesopotamia, published in 1936, where an archaeologist’s wife is killed, and Death Comes as the End, 1945, another mystery set in Egypt taking place in 2000 B.C.E.

She first visited Egypt in 1910 as a debutante, and later set her first novel in Cairo titled Snow Upon the Desert but was unable to get it published. Howard Carter’s discovery of Tutankhamun’s tomb aided her in her first published work, the short story, Adventure of the Egyptian Tomb, in a weekly journal in 1928.

Max Mallowan, Agatha Christie, and Leonard Woolley.

While not a conventional archaeologist, Agatha Christie had a love and passion for the field. Upon an invitation from field director Leonard and his wife Katherine Woolley to the site of Ur in 1928, she took the Orient Express to the Iraqi capital before arriving at the Sumerian city of Ur and coming to understand the methods and awe of archaeology. She spent around 30 years of her life working and living in the East between 1928 and 1958, after meeting her second husband, archaeologist Max Mallowan who was 15 years her junior, at the site in 1930! They would spend fall and spring in the Middle East, summer in England with her daughter Rosalind, and then the rest of the year either traveling or at home. While working and scouting with her husband, she became an assistant, a field hand, and equipped with an understanding of archaeology which spilled into her books.

In 1933, the Mallowans took a Nile River cruise on their way to an archaeological dig which visited the cities of Luxor and Aswan, followed by another steamer the viewed Karnak and Ramses II’s Abu Simbel temples. After a return to Aswan a few years later and then coming back from the winter spent in Egypt, Death on the Nile was written.

Her earlier travels and duty as an archaeologist’s wife took her to Egypt, Syria, Iraq, Greece, Baghdad, Nejef, Kerbala, the site of Nippur, the site of Chagar Bazar, the site of Nimrud, the site of Tell Brak, and many more. Her duties and roles at sites increased as she put archaeology rather than writing first for a change but was still able to bankroll many of her husband’s expeditions through her writing as she spent mornings writing and afternoons completing site work. From 1935-1938 in the

Khabur valley in Syria at the site of Chagar Bazar, Christie would engage in kitchen work, put to use her nursing skills from past experience, supervise the running of meal preparation, collect potsherds, and photograph both the dig and artifacts recovered. Work carried into a second field season in 1936 as they branched into the site of Tell Brak and even into a third until WWII broke out and excavations were halted. The site of Chagar Bazar yielded around 70 cuneiform tablets with insight into the ethnic backgrounds of the former residents of the burned-out palace, and at Tell Brak, the well-known Eye Temple was present. While her husband aided the Air Ministry in Cairo with his knowledge of Arabic during the war, Christie remained in England and published Come, Tell Me How You Live in 1946, a memoir that described her and her husband’s digs in Syria and Iraq.

Agatha Christie photographing an Assyrian ivory figure at Nimrud in Iraq.

At the site of Nimrud from 1949-1959, she began to collect and clean artifacts, even going so far as to use face cream to clean and polish ivory artifacts, a cold-cream wash, as it came to be called. Freed from the social constraints of the Victorian lifestyle, her simplistic tasks that included putting together puzzle-like potsherds, gave her a sense of peace and allowed her to revel in the way archaeology connects the past to the present. At the age of 68, she went on her last dig, which was at Nimrud, still married to Max.

Agatha Christie and Max Mallowan in 1950.

Fictional detective Hercule Poirot states in Death on the Nile, “Once I went professionally to an archaeological expedition and I learnt something there. In the course of an excavation, when something comes out of the ground, everything is cleared away very carefully all around it. You take away the loose earth, and you scrape here and there with a knife until finally your object is there, all alone, ready to be drawn and photographed with no extraneous matter confusing it. That is what I have been seeking to do, clear away the extraneous matter so that we can see the truth, the naked shining truth.” Christie’s interest in archaeology was certainly connected to her love of mysteries. Archaeologists themselves are like detectives, using the left-behind clues of inscriptions or artifacts to decipher the mystery of the past. While Agatha Christie herself was never a recognized archaeologist, and to this day many do not even know about her prominent connections to archaeology, her writings are entrenched in her travels and adventures that inspired readers with her descriptions of ruins and the process of uncovering the past.

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Further Reading:

Ladies of the Field: Early Women Archaeologists and Their Search for Adventure: By Amanda Adams

The Chickaree Hill Pictograph

On March 3rd we held our second Graduate Colloquium of the semester! We invited Archaeologist Kenneth Burkett to come in-person and talk to us about the Chickaree Hill Pictograph (36CB8), currently the only known prehistoric pictograph site recorded in Pennsylvania! Kenneth Burkett is the Executive Director of the Jefferson County History Center and Field Associate Archaeologist with the Carnegie Museum of Natural History. He recently was awarded the Society for American Archaeology’s (SAA) Crabtree Award, and soon he will be partaking in a 2-year grant study investigating the recorded petroglyph sites in Pennsylvania for their conditions and National Register eligibility status.

The Chickaree pictograph is located on private property in the town of Chickaree in Jackson Township, Cambria County, on a north-sloping upper bench of Laurel Ridge. It was first recorded in 1975 by Dr. Virginia Gerald who was a professor at IUP at the time, and also recorded several other times throughout the eighties and nineties before Burkett began to explore it more in depth in 2017. Advancements in technology and GPS systems have allowed for a more accurate recording of the pictograph’s location.

The pictograph itself is located on the ceiling of a small rock overhang facing north, on a large, sandstone rock tor. It does not appear to somewhere where people would have ‘camped out’ as it faces directly into the wind. What appears to be a test unit was opened up sometime in the past directly in front of the overhang, and the soil beneath the overhang was removed too. The place the rock art was drawn in is a well-protected spot, away from the dripline from rain, in a depressed surface away from weather effects, and also difficult to reach without something to elevate one’s height.

The red, circular pictograph is very small, measuring around 14 cm in diameter. It depicts a bird-like figure with orientation of the detached head facing east and the feet facing west, with what has been interpreted as a tail, and with the body and wings spread out as lines forming a horizontal hourglass pattern. Image digitalization aids like DStrech have been useful in making the patterns more visible.

The pictograph was not painted on with something liquid, rather it was applied by abrading something hard over the stone. A hand-held digital microscope and a portable XRF spectrometer were used to learn more about the pigment and how it might have been applied. The red pigment had a high iron content, which was determined to be the mineral hematite. Burkett used experimental archaeology to determine how siderite could have been heated with an open wood burning campfire to be converted into hematite. He placed a sample of siderite in embers and coals for 2 hours. This allowed the siderite, which prior to firing produces a brown color on a streak plate, to convert to hematite, which produced a more reddish-brown color that was consistent with hematite samples from regional prehistoric sites and the Chickaree pictograph itself.

Burkett then discussed similarities with other sites where hematite traces have been found and sites with similar figures, such as the Indian Cave Petroglyphs aka the Harrison County Pictograph site (46HS1) in West Virginia, petroglyphs within the Upper Ohio and Susquehanna river basins, or the Browns Island site (46HK8) in West Virginia. He questioned why there have not been recorded pictographs in Pennsylvania, besides the Chickaree pictograph. He suggested that perhaps they did not survive as the use of hematite and other natural pigments made them easy to be eroded or degraded from the weather and climate, as well as vegetation, which would both obscure and chemically deteriorate the images. Records from the Sullivan Expedition in 1779 stated that Native American iconography was found on trees or logs, which might be connected to the lack of pictographs found in Pennsylvania, as well.

Although Kenneth Burkett concluded that it is impossible to confirm whether the figure is an authentic prehistoric Native American pictograph or not, there are several considerations he pointed out. For one, the pictograph was put in a place that was naturally protected which contributed to its’ survival over the many years. It is also small and concealed, which is opposite of modern graffiti or vandalism which is typically large and visible to attract attention and was not present at the site. The figure itself is stylistically similar to known prehistoric figures including regional components, however the encirclement of the figure is questionable as it is not common within known styles of other Pennsylvania rock art. And finally, the hematite that was used is expected as the correct pigment.

Burkett also discussed other sites that included large rock landforms that show the importance of these landforms, as well as other parts of the landscape, to prehistoric communities. The Parker’s Landing site in Pennsylvania, popular for the 179 petroglyphs carved into a group of rocks by the Allegheny River, was one such site. He also emphasized that although we are archaeologists, we need to look around at sites in different and new perspectives, such as how the sun might hit parts of the site, or even if it is not a place where people might have settled, they still could have buried someone there or created rock art at the site if the area was important to them.

Burkett emphasized that there are most likely more pictographs out there, but indifference and ignorance might play a role in their inability to be found. However, with public education, hopefully more rock art sites can and will be discovered.

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February Colloquium Featuring Archaeologist Ryan Clark

This past Thursday, we held our first Graduate Colloquium of the semester! Ryan Clark, MA, RPA, and IUP Alum, came to speak with us about what it is like working for the U.S. Army Corps of Engineers (USACE) as an Archaeologist in the New York District. Ryan also has 10 years of experience in the private sector, and during his time with USACE he has worked on projects ranging from Coastal Storm Risk Management, Navigation, Flood Risk Management, Ecosystem Restoration Programs, Military Support, and Regulatory Actions.

He broke his presentation into three sections. The first section gave a brief overview of the history of the USACE as well as parts of their civil works programs, which focuses on flood risk management, navigation, and ecosystem restoration. He discussed the USACE’s attention to emergency response and other missions with specific parameters. He noted that archaeologists usually find themselves working in the civil works or regulatory side focused on permit review, as well. He then discussed examples of the ranges of projects you might find yourselves working on while with the federal government, such as hurricane damage assessments, seawall designs, wetland habitat restorations, and fish passage barriers, to name a few. He emphasized that archeologists in this field learn about different areas of expertise as they interact with other experts from other fields. For example, if you find yourself working on a bird habitat project, you might learn about the different seasons they are around, which might change the way you approach sites with the same bird habitats in future projects.

His second section walked us through Section 106, NEPA, and how federal agencies like the USACE work within them when designing and planning projects. His flowchart simplified the processes. He went over the congressionally mandated 3 year, 3 million dollar, 3 stages of study limits for projects. He also gave an example of such a project, a harbor deepening project. He walked through the steps and phases of the study to emphasize what it is like working with different departments and teams to figure out where the greatest impact will be to cultural, historical, and environmental components of the area to be affected. Ryan noted that a big part of his job is coordination, as well as creating agreements and contracts to prepare for the effects of projects.

The third section focused on federal jobs and the application process, mainly on how to navigate USAJOBS. He began by stating that first you need to look for jobs using keyword searches with archaeology and anthropology or use the job family code 0193 Archaeology. Recently graduated graduate students will most likely be applying for jobs under the public only or student section, unless you have over a year of more of experience working for the federal government, which you will then be eligible to apply for other jobs with that requirement. Ryan noted that it is good practice to take note of the salary or pay scale for the job you are applying for, to make sure you are qualified for that level. Depending on your experiences, either federal or non-federal, while applying you need to match what you have done to its’ federal equivalency to make sure you are eligible for the pay scale level you are applying for. He also said to take note of relocation expenses to see if you are able to get them even though it is usually hard to do so, and also whether the job is temporary or permanent.

He then stated that reviewing the duties of the job is important. For one it is good to know what the job will require, but it also aids with creating a resume. A big thing he noted was that it is better to build a resume within USAJOBS rather than attaching one. By drawing out keywords from the duties section, you can craft a resume that will be more likely to be selected based on the keywords it contains from the language of the duties listed. It is important to translate things you have done into the scope of the job and if those hiring have questions about the extent or caliber of what you have done, they can ask for further clarification during an interview. It is also encouraged to have several resumes or cover letters that are tailored for different jobs. Ryan continued on his tips and tricks for USAJOBS, stating that if you want a higher-level job you should start lower. For example, if you want a GS-11 but don’t have the qualifications, you should look at the requirements for a GS-09 and apply for that job, and eventually work your way up into the job you want. He also noted that you should try to list yourself as closely as possible to expert on the questions they ask on the site, answering honestly by making sure you are actually qualified, but also making sure you are an expert so that you have a better chance of being selected.

To summarize; build your resume in USAJOBS using keywords from the position you want, have multiple resumes by type of job, don’t sweat the CV, translate prior work into relevant experience for the job you want, and check the requirements for the application.

Overall, Ryan emphasized that his job was not always what we would consider in the scope of archaeology. He does a lot of contract management, such as hiring people, and not as much fieldwork. However, while working on million-dollar projects and contracts he has gotten to work with a lot of cool things, such as a schooner, although he has no background in maritime archaeology. He likes the teamwork environment, and that he actually gets to use his job in the civil works sector to help people, giving a contemporary relevance to archaeological work.

We thank Ryan Clark for presenting for us, giving us insight into what it is like working for the federal government as an archaeologist, and helping us learn more about applying for these types of jobs!

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African American History Month Spotlight, Dr. Alexandra Jones: By Mikala Hardie

In celebration of African American history month, IUP’s Instagram has been featuring one African American archaeologist a week, so we decided to include them on the blog as well! This week’s archaeologist is Dr. Alexandra Jones, a historical archaeologist who specializes in the African Diaspora. Jones first studied at Howard University earning a dual B.A. in History and Anthropology. If that wasn’t impressive enough, she went on to receive an M.A. in History and Anthropology at Howard and U.C. Berkley respectively. She then received her doctorate from U.C. Berkley in 2010 for her research at Gibson Grove, an African American church in Cabin John, Maryland.

Most of her work involves the community and focuses on public outreach in archaeology. Around the time when she was developing her dissertation, she realized that not a lot of people in her home community knew about archaeology or the heritage that was right below their feet. This is why she decided to start her non-profit “Archaeology in the Community” which organizes educational events for kids K-12, events for the community, and professional development for aspiring archaeologists all with the aim to educate the public of their archaeological heritage. She also created customizable programs for schools to incorporate into their curriculum in order to expand the understanding of archaeology. Archaeology in the community’s most recent project is an informational app for children that is free and available to download on apple and android.

You may have also seen Dr. Jones teaching field schools on PBS’s “Time Team America” a show that aims to give viewers an “over the shoulder” look into what archaeologists do. These field schools took place at a plethora of sites in Maryland, Oklahoma, and Colorado and involved students at the junior high and high school level. Jones taught them how to properly conduct an archaeological project including how to survey, keep records, and conserve the artifacts that they found. Additionally, at the Josiah Henson site, Dr. Jones taught her students about the importance of working with the decendent communities to gain a greater understanding of the people who inhabited the area.

Her current project is called the Hollowed Ground Project and is at Goucher College, where she is currently employed. Since the college is situated on an old plantation site, this project researches the slavery and racism that took place there in attempts to honor the enslaved people who came before. The project also helps contribute to the larger body of research that examines how the historical enslavement of African Americans contributes to the institutional racism and predjudice that occurs today.

Dr. Alexandra Jones is still active in the Archaeological community and is a part of the Society of Black Archaeologists (SBA) and the Society for Historical Archaeology (SHA) to name a few. She recently received the SHA’s John L.Cotter award for her work in public archaeology and engaging the community.

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I DIG U Valentine’s Day!

Valentine’s Day is fast approaching, and we are here to gear you up with some archaeological and historical related material to prepare you for this candy-giving, love-spreading holiday! As many know, the origin of Valentine’s Day is rooted both in the Catholic Saint from whom it is named after as well as secular customs. The exact details of how the martyrdom of St. Valentine led to the holiday we celebrate today are not well-known, but the tales are similar. Three different St. Valentines actually share February 14th as their feast day, with the first being a priest and physician in Rome during the third century who is said to have been condemned to death by Emperor Claudius II after either aiding martyrs or by performing marriages after the emperor had outlawed them due to the belief that unmarried men made better soldiers. Another story states that he was a Bishop, Saint Valentine of Terni, who was ordered by Emperor Claudius II to be arrested, beaten, and beheaded as well. The third St. Valentine is said to have served in and become a martyr in Africa, but not much else is known about this saint.

Some legends continue that either the St. Valentine of Rome or the St. Valentine of Terni, while in jail before their executions, signed a letter to the jailer’s daughter whom they had befriended with “From your Valentine,” thus leading to the commonly used expression today. St. Valentine is said to have been buried on the Flaminian way, with Pope Julius I (AD 333-356) building a basilica at the site, preserving his tomb. Archaeological excavations during the 1500s and 1800s at the basilica found evidence of the tomb of St. Valentine, most likely the St. Valentine of Rome, and relics were transferred to the Church of Saint Praxedes in the 13th century, where they remain today. Although each story is slightly different, the underlying themes of the legends are similar.

Around the world, people celebrate St. Valentine in a variety of ways. Of course, we know that Americans typically send cards or letters, chocolate, and flowers to their sweethearts, friends, and family on February 14th. In Denmark, on the same day, friends and sweethearts exchange white flowers called snowdrops and “joking letters” or gaekkebrev, a funny poem or rhyme written on a paper with cut decorations and lacking a signature, with only a number of dots corresponding to the number of letters in the anonymous sender’s name. If you can guess the sender, you will later receive an Easter egg on Easter Sunday, but if you do not, you owe the sender one. In South Korea February 14th was originally a day for women to give chocolate to men as a sign of affection, but marketing has changed it more into a couple’s day. However, on March 14th, also called White Day, men then give women primarily white gifts to answer the Valentine’s Day gifts. And finally, on Black Day, April 14th, singles who did not receive a gift on either of the prior days, eat jjajangmyeon, or Black Noodles. Brazil’s Valentine’s Day is known as Dia dos Namorados, or “Lovers’ Day,” “Day of the Enamored,” or “Boyfriends’/Girlfriends’ Day,” and it is actually celebrated on June 12th. They celebrate on that day due to its’ proximity to St. Anthony’s Day on June 13th, a Saint in Brazil believed to bless young couples with a prosperous marriage. They too, like Americans exchange gifts, flowers, and chocolates, as well as have grand dinners.

The Lovers of Valdaro

The skeleton’s of the embracing couple from the Northern Wei period (International Journal of Osteoarchaeology).

Here are some romantic archaeological discoveries that are sure to make you believe in true love this upcoming Valentine’s Day.  The “Lovers of Valdaro,” the Neolithic, entangled, male and female corpses from 6,000 years ago found in Mantua, Italy in 2007, are well-known figures representing “eternal love”, despite evidence that they were positioned in this way after death because they were buried in a necropolis. In 2021 in the city of Datong, Shanxi Province, China, the remains of a man and women wrapped in an embrace were discovered while excavating more than 600 tombs at a cemetery uncovered during construction work. They lived during the Northern Wei period (386 to 534 A.D.), another example of “embracing each other for eternal love during the afterlife.” Similar intimate burials include the skeletons dating to 5,800 years ago found at Alepotrypa, a cave in Laconia, Greece, the double burials of the Bronze Age Vysotskaya culture in the Ukraine, the two 14th century skeletons holding hands at a site in Leicestershire, England, dozens of Bronze Age couple burials belonging to the Andronovo culture found in Siberia, and many more.

The love letter found on the chest of 16th century mummy of Eung-tae (Andong National University).

Other romantic discoveries must include love letters. Archaeologists in South Korea found several in a tomb by the mummified body of a 16th century male named Eung-tae, a member of Korea’s ancient Goseong Yi clan. His pregnant wife wrote them around 1568 A.D., expressing her grief and hope of seeing him in her dreams. A 4,000-year-old Sumerian clay tablet called Istanbul #2461 or “The Love Song for Shu-Sin,” holds the Guinness World Record for being the oldest surviving love poem. It is currently held at the Istanbul Museum of the Ancient Orient in Turkey. Dating to around 2025 B.C., it contains a ballad written by the priestess bride professing her love the king Shu-Sin. It is also postulated that this ballad is part of a sacred rite or ‘sacred marriage’ that takes place each year, for a ceremonial and symbolic marriage to the goddess Inanna (the goddess of fertility and sexual love) through one of her priestesses, to make both soil and women fertile.

As the sign says, the world’s oldest love poem.

There are many more symbols of love found amongst archaeological sites, carved into monuments and stone, evident in ancient rings, described and depicted on fading papers, all remnants of the universally shared emotion. As Valentine’s Day approaches, and you receive candy hearts and vibrant red roses, perhaps ponder how archaeologists hundreds or thousands of years from now will interpret the professions of love that you left behind! Have a Happy Valentine’s Day!

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Further Reading:

https://www.history.com/topics/valentines-day/history-of-valentines-day-2
https://www.catholiceducation.org/en/culture/catholic-contributions/history-of-st-valentine.html
https://www.huffpost.com/entry/10-valentines-day-traditi_b_9190888
https://www.italy-villas.com/to-italy/2016/curiosities/lovers-of-valdaro
https://www.smithsonianmag.com/smart-news/1500-year-old-chinese-skeletons-found-locked-embrace-180978509/
https://www.ancient-origins.net/news-history-archaeology/skeletons-hugging-021972
https://archaeologynewsnetwork.blogspot.com/2013/11/500-year-old-love-letter-found-buried.html
https://allmesopotamia.wordpress.com/2011/10/28/the-first-love-poem-is-sumerian/

The Status of Afghanistan’s National Museum and Cultural Treasures

People visiting the National Museum of Afghanistan, Dec, 21, 2021. (AFP)

While discussing property law theory in one of our classes, Law and Ethics, I remembered the crisis Afghanistan was and is still facing and began to wonder about the state of their antiquities, cultural resources, and museums, under the Taliban’s rule. Little did I know that this had been a subject discussed heavily in the media only a few months ago, so I decided to dig into some past and current events to reveal the status and state of Afghanistan’s cultural history.

After years of conflict and negotiations, in February 2020 the U.S. government and the Taliban signed a peace agreement, which included a timeline by which U.S. troops would withdrawal from Afghanistan. While the U.S. pledged full withdrawal withing 14 months, the Taliban pledged “to prevent territory under its control from being used by terrorist groups and enter into negotiations with the Afghan government.” Unfortunately, with no official cease-fire in place, the Taliban eventually resumed attacks on Afghan civilians, their government, the Afghan National Defense and Security Forces (ANDSF). Despite U.S. air strikes and raids against the Taliban, the Taliban’s violence and suicide attacks allowed them to make territorial gains throughout 2020 and 2021. In April 2021, President Joe Biden announced the removal of U.S. military forces by September 2021 from Afghanistan. The Taliban increased their attacks on urban areas and border crossings, and by mid-August, they had captured all provincial capitals, causing the Afghan President Ashraf Ghani to flee, along with thousands of citizens.

One of the Buddhas of Bamiyan before it was destroyed by Taliban. (Associated Press)

Afghanistan is no stranger to devastation and violence, especially when it comes to their cultural resources. During the Soviet occupation in the 1980s many of their archaeological sites were illegally excavated and looted. 12th century items from the palace of Mas’ud III were looted and sold on the black market in the 1990s during the Afghanistan civil war. In 1992, after the end of communist rule, an estimated 70% of the 100,000 pieces in the National Museum in Kabul’s collection, were looted or damaged. From 1994-2001, the “Dead Sea Scrolls of Buddhism,” some dating to the 2nd century A.D., were stolen and sold to collections around the world. The Taliban destroyed many libraries and museums, persecuted academics, and outlawed art from 1996-2001. Despite the Taliban Minister of Culture claiming in 1999 that Afghanistan’s Buddhist heritage would be protected under his rule, in 2001 the Taliban proceeded to blast with dynamite and artillery the well-known Buddhas of Bamiyan cliff statues, which dated to the 6th century.

The destruction of one of the Buddhas of Bamiyan. (Getty Images)

Today, with Afghanistan once again controlled by the Taliban, and repeated claims that Afghanistan heritage will be safe, the international community is still skeptical. Although there have been statements claiming they have forbidden the selling of antiquities on the black market, instructed fighters to protect and safeguard historical sites, and vowed to stop the looting of archaeological digs, many think the Taliban could easily hold Afghanistan’s cultural heritage hostage in the future. As academics, archaeologists, and curators flee the nation, preservation projects are put on hold, and looting increases, many also question if the artifacts and cultural objects will fall prey to neglect.

Since the destructions in the 1990s and into the 2000s, documentation of Afghan cultural heritage has improved with the creation of museum collection catalogues, archaeological site maps, 3-D models of heritage building, and much more, but the threat of destroying the collections, sites, buildings, and artifacts themselves remains. Although a contingency plan to remove 50,000 of the treasures and move them to safter locations had been created in case of an emergency, the Taliban’s quick takeover prevented this plan from happening.

The National Museum of Afghanistan.

After being seized by the Taliban in August 2021, the National Museum of Afghanistan reopened late November of the same year, under the protection of Islamic Emirate soldiers. As expected, visitor numbers have dropped, but some hope the reopening is a sign that their Afghan heritage might remain protected and see it as a chance for residents of Kabul, travelers, and younger generations a chance to learn about the history and culture held in the more than 80,000 artifacts contained in the museum. The Taliban have also allowed Mohammad Fahim Rahimi, the director of the museum, the remain in his position. However, some see the reopening as a political move, as music in public areas has still been banded, limitations on radio and television have been put in place, street murals have been painted over, and in Bamiyan just last year the Taliban blew up a statue of the Shitte militia leader Abdul Ali Mazari, whom they killed in 1995. The fundamentalist Taliban are known for their ideological rejection of art that is not considered Islamic or art that portrays living beings. The museum itself contains artifacts, such as their pottery collection, decorated with images of animals and humans, but apparently no changes have been made to restrict what is being displayed. While some also assume the Taliban is trying to project a more “moderate” image, others see reopening as a way to get sanctions lifted and international aid unsuspended.

A museum employee in front of a destroyed statue in the basement of the Kabul Museum in 2001. (AP Photo/Marco Di La Lauro.

The National Museum of Afghanistan is currently open only three days a week, Monday, Wednesday, and Friday, with staff being unpaid and visitors only allowed admission with a permission letter from the Islamic Emirate. The Taliban is also in control of the Mes Aynak, an ancient Buddhist monastery, including the 10,000 artifacts excavated from the site. They control the new museum in the Herat citadel, smaller museums and collections in Kandahar, Ghazni, and Balkh, as well as The Afghanistan National Institute of Music.

Afghanistan is first and foremost facing a humanitarian crisis, as people flee and many who remain sink into poverty. Many cultural heritage staff in Afghanistan and others who have fled, claim to have received threats from the Taliban, as well. When it comes to the safety of the cultural heritage of Afghanistan for now, many can only watch and wait.

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Further Reading:

https://www.nationalgeographic.com/history/article/taliban-destroyed-afghanistan-ancient-treasures-will-history-repeat-itself
https://www.cfr.org/global-conflict-tracker/conflict/war-afghanistan#:~:text=After%20the%20Taliban%20government%20refused,across%20the%20border%20to%20Pakistan.
https://theconversation.com/the-talibans-rule-threatens-whats-left-of-afghanistans-dazzlingly-diverse-cultural-history-167780
https://www.nytimes.com/2021/12/17/arts/design/afghanistan-national-museum-reopens.html
https://www.dailysabah.com/arts/afghan-national-museum-reopens-for-visitors-amid-taliban-aid-pleas/news
https://news.artnet.com/art-world/the-national-museum-of-afghanistan-reopens-2044902
https://www.rescue.org/article/crisis-afghanistan-unprecedented-hunger-after-conflict
https://www.nytimes.com/2021/08/20/arts/taliban-afghan-cultural-heritage.html#:~:text=the%20main%20story-,Taliban%20Vows%20to%20Protect%20Afghan%20Cultural%20Heritage%2C%20but%20Fears%20Persist,the%20destruction%20of%20prior%20years.

In Celebration of Black History Month

February is dedicated as Black History Month, as seeing as it is soon approaching, let’s learn about some African Americans who have solidified themselves into the history of archaeology.

John Wesley Gilbert, 1888

Many have heard of John Wesley Gilbert, considered to be the first African American archaeologist. Born free in 1863, this man went on to become a graduate from Paine College who also went on to be the first African American to receive their master’s degree from Brown University; his master’s was in Archaeology. Along with being a professor, Dr. Gilbert was also a minister and missionary. He did fieldwork at the Greek city of Eretria, helping to discover it and create the first map of the area, established a church and school in the village of Wembo-Nyama in the Belgian Congo, and taught subjects such as Greek, Latin, English, French, German, Hebrew, and New Testament literature as an educator. He passed away in 1923, but his achievements continue to inspire all archaeologists.

Dr. Theresa Singlton, Syracuse University

Another notable figure in African American archaeology is Dr. Theresa Singleton, the first African American women to receive a Ph.D. in historical archaeology and African American history from the University of Florida in 1980. She is also the first and only African American to be awarded the Society of Historical Archaeology’s J.C. Harrington Award to this date. Dr. Singleton’s areas of interest are historical archaeology, African Diasporas, Museums, North America, and the Caribbean. She focuses on comparative studies of slave societies in the Americas and the Caribbean, concentrating on culture and plantation life under slavery. She is currently an author and associate professor at Syracuse University teaching anthropology and historical archaeology.

A great resource centered on supporting archaeologists of African descent is The Society of Black Archaeologists (SBA).

https://www.societyofblackarchaeologists.com/

Based in Washington D.C., but consisting of members from throughout the world, this group was founded in 2011. They seek to “increase the number of professionally trained archaeologists of African descent through the promotion of social responsibility, academic excellence, and the creation of spaces that foster the SBA’s goals and activities.” Their website includes resources such as online maps and databases, interviews from their Oral History Project, and links to other related websites. This non-profit organization has hosted online presentations as well, that can still be watched through the link below:

https://www.societyofblackarchaeologists.com/events

Check out the achievements of the current board members, President Justin Dunnavant, Ph.D., President-Elect Ayana Omilade Flewellen, Ph.D., member Alexandra Jones, Ph.D., member Cheryl LaRoche, Ph.D., and member Jay V. Haigler here:

https://www.societyofblackarchaeologists.com/about

As February, and therefore Black History Month, is not too far away, consider checking out this organization, their talks, or the other related websites they have listed!

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Further Reading:
https://www.blackpast.org/african-american-history/people-african-american-history/john-wesley-gilbert-1863-1923/#:~:text=John%20Wesley%20Gilbert%20was%20and,master’s%20degree%20from%20Brown%20University.
https://blerds.atlantablackstar.com/2015/07/09/6-black-archaeologists-anthropologists-know/6/
https://www.maxwell.syr.edu/anthro/Singleton,_Theresa/

Archaeology of Glaciers and Ice

2022 has arrived and so have students here at Indian University of Pennsylvania as a new spring semester begins! We were welcomed back for the first day of classes with around a foot of snow this Monday the seventeenth. While we may be hoping for these icy, cold mounds of snow to melt away, there are other fields of ice around the world that we wish were not melting as fast as they are. Glaciers in many parts of the world are melting as global temperatures rise. Glaciers and ice patches, while revealing many preserved artifacts as they melt, also produce a host of other challenges when it comes to finding and retrieving these artifacts.

Mouth of the Matanuska Glacier in Alaska.

The constant movement of ice within glaciers tends to crush and damage artifacts and bodies, before dumping them at the mouth of the ice flow. Some researchers say that glaciers rarely preserve objects for more than 500 years. Areas such as non-moving fields of ice attached to glaciers, and even more likely, ice patches (isolated non-moving or very slow-moving accumulations of ice) are turned to as potentially better sources to explore for preserved artifacts.

Ice patches at Rocky Mountain National Park, Colorado.

Ice patches reveal more intact artifacts; however, with accessibility also comes exposure to the elements. Ice patches are susceptible to rising temperatures, summer wind and temperatures, winter wind direction and strength, and precipitation. Ice patches change quickly in response to the climate, thus allowing meltwater and wind to cause artifacts to become encapsulated in old ice or displaced from where they were originally lost. With climate change more artifacts are being exposed and objects made from soft organic materials, like hides or textiles, have at most, a year before they are lost to history forever.

Ice mummy of the six-to-eight-month old wooly mammoth baby named Dima in situ near Kirgiljach River in northeast Siberia. Dated to 37,000 B.C.

Glacier archaeologists, doing more hiking than digging, have uncovered a range of incredible historical treasures from ice mummies to Viking trade routes, extinct animal species, thousands of year-old organic artifacts like arrows, throwing spears, skis, and so much more. Researchers around the world are striving to make efforts toward saving artifacts emerging from the ice, including the U.S. National Park Service with their Glacier National Park Ice Patch project, and the well-known Glacier Archaeology Program in Innlandet, Norway, which has recovered over 3,000 artifacts, the oldest finds dating to 6,000 years old. Ground-penetrating radar and ice coring have been used to collect artifact and sediment samples, while predictive models for melting glaciers and ice patches could be good sources suggesting where archaeologists should focus future efforts.

Along with melting glaciers and ice patches, oceanfront erosion and receding coastlines are also prevalent in some parts of the world, causing sites to be washed away while others rot in the ground. As many archaeologists understand, the loss of any part of any culture’s history is not only devastating to them, but to the history and heritage of humanity. Losing the artifacts and bodies kept preserved for so many years in ice is losing knowledge that could contribute to broader understandings of humanity.

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Further Reading
https://www.nytimes.com/2021/11/02/science/climate-change-archaeology.html
https://secretsoftheice.com/climate/glaciers/
https://news.climate.columbia.edu/2020/05/27/melting-ice-ancient-trade-route/
https://www.nps.gov/articles/ice-patch-archeology-brief.htm
https://www.mentalfloss.com/article/503309/8-amazing-things-uncovered-melting-glaciers-and-ice
https://www.nationalgeographic.com/science/article/glacier-archaeology-norway-oppland-mountains-climate-change-melting-ice-spd
Photos from Wikimedia commons

Gobble, Gobble! It’s Time for Turkey!

Let’s dig into some history about the famous gobbling bird, the holiday we love to eat it on, and the archaeology of the area the tradition originated from!

The modern domestic turkeys we see today are descended from ones domesticated by Mayans in Mexico around 2,000 years ago. Evidence for Turkey domestication has also been dated to around 2,000 years ago in the American Southwest, Four Corners region, by the Ancestral Puebloans. Sites like Basketmaker III sites have included evidence such as

Designs incorporating turkeys from black-on-white bowls made during the Classic Mimbres phase in southwestern New Mexico, as drawn in essays by Jesse Walter Fewkes, published by the Smithsonian in 1923 and 1924.

droppings, eggshells, and feathers. Turkeys were kept for food but also most likely valued for their feathers, used for ritual objects and even textiles. It has also been argued that turkeys were used in ritual sacrifices.

The earliest evidence of the Mexican turkey in the ancient Mayan world is from turkey bones discovered by archaeologists at the site of EL Mirador in Guatemala, dating to 300 B.C. to 100 A.D. Along with archaeological, zooarchaeological, and ancient DNA, researchers were able to determine that the non-local turkeys indicate a Preclassic exchange of animals between northern Mesoamerica and the Maya cultural region. The evidence represents the earliest Mesoamerican domestication and rearing of turkeys and provides information on long-distance trade connections.

Turkey eggshells and bones from an offering 1,500 years ago in Oaxaca, Mexico. (Smithsonianmag.com)

The original Thanksgiving dinner or Harvest Feast that lasted for three days at the Plymouth Colony in 1621 was most certainly smaller and less varied than what we gorge on today. An English leader who was present at the meal, Edward Winslow, wrote in a letter to a friend, “Our harvest being gotten in, our governor sent four men on fowling, that so we might after a special manner rejoice together after we had gathered the fruits of our labors…many of the Indians coming amongst us…for three days we entertained and feasted, and they went out and killed five deer.” Turkeys were mentioned by William Bradford of Plymouth while describing the 1621 autumn, “And besides waterfowl, there was great store of wild Turkeys, of which they took many, besides venison,” increasing the chance that turkeys were present at the meal.

Plymonth Rock. (plymoutharch.com)

Today, archaeologists and graduate students with the University of Massachusetts-Boston excavate undeveloped lots on Cole’s Hill in Plymouth, Massachusetts, near the National Historic Landmarks site which includes the Pilgrims first cemetery which was a Wampanoag Village thousands of years before. With plans for a permanent memorial titled Remembrance Park, opportunities for excavations are becoming more limited. The Park will focus on The Great Dying of 1616-1619 when diseases from Europeans plagued the Wampanoag and killed around 50,000, the first and harsh winter the Pilgrims experience in 1620-162, and the 2020 coronavirus pandemic.

The construction of the park is scheduled for 2023 unless archaeologists make extraordinary finds. Linda Coombs, a Wampanoag tribal leader and activist states, “The Park is intended to acknowledge and preserve what we’ve all lived through in 2020. It’s an opportunity to bring the past and present together in ways we never could have foreseen.”

So please enjoy your turkey this Thanksgiving, but do not forget the history behind the holiday!

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Further Reading:

https://www.archaeologysouthwest.org/2011/11/23/talking-turkey-unexpected-encounters-with-new-world-domesticates/
https://www.smithsonianmag.com/smart-news/researchers-dig-into-juicy-history-taming-turkey-180961192/
https://www.smithsonianmag.com/history/what-was-on-the-menu-at-the-first-thanksgiving-511554/
https://www.plymoutharch.com/
https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0042630v
https://www.umb.edu/news/detail/at_the_site_of_the_first_thanksgiving
https://www.plymoutharch.com/history-of-thanksgiving/
https://www.wcvb.com/article/archaeologists-dig-hilltop-over-plymouth-rock-one-last-time/36683212