Success after IUP

By: Kristin Swanton

My passion for archaeology was a direct result of my older brother, Michael, and great uncle, Charles Wray, who both worked as archaeologists in New York. In 2007, I graduated with a Bachelors degree in Anthropology and Religion from Syracuse University. After completing two fieldschools and two archaeology internships, I developed my interest in historical archaeology and working with stakeholder communities.

After college, I knew I wanted to attend graduate school, but my faculty at Syracuse recommended that I get more experience in cultural resource management. I took off two years between undergraduate and graduate school, but it was worth it. I was lucky to be part of the first graduate class in the Masters for Applied Archaeology program at IUP. As a graduate student, I was able to tailor my Master’s thesis to focus on a contact-period battlefield in eastern Connecticut that involved multiple interested parties.

A volunteer dig at the Governor Wolf mansion in PA

The coursework and mentoring from the IUP faculty directly prepared me for my various jobs after graduate school. I have had the opportunity to work for an international engineering firm, as well as the New Jersey Historic Preservation Office (NJHPO) and the U.S. Forest Service. Currently, I work as a Historic Preservation Assistant for the NJHPO, where I assist staff members in their review of projects requiring Section 106 compliance and New Jersey State permits. With my Master’s degree from IUP, I gained the skill sets necessary in CRM and satisfied the Secretary of Interior qualifications as a professional archaeologist.

IUP Department of Anthropology

How I Survived Grad School So You Can Too

By: Danielle Kiesow

A wise man once told me, “You need to remember what makes you a good procrastinator: confidence!” That wise man is my father, and while he might deny he ever endorsed my habit, it’s that confidence (whether procrastinating or actually getting work done) that has carried me through the Applied Archaeology program here at IUP. I’m now a second year graduate student, just one semester and one completed thesis shy of graduating. I am so happy that I chose IUP to continue my archaeological education: I have learned so much about North American archaeology, laws and ethics in cultural resource management, and about myself.

By far the hardest part of grad school is learning time management. Only three classes (nine credits) are required per semester for this program, and coming out of regular 15-18 credit semesters in undergrad, I didn’t think much of it until syllabi day at the beginning of my first semester. The first year of grad school in this program is more difficult than the second year because you’re adjusting to a new location (in my case, transplanting from Wisconsin and going through cheese curd withdrawal), in some cases getting back into school after a hiatus, getting to know your cohort and your professors, and panicking because you can just see your thesis looming on the horizon.

But don’t worry! By the second year of this program you’ve gotten into the swing of things and you’ve become closer to your cohort (and you’ve realized there’s such a thing as Wine Festivals on campus). Your thesis topic is tackled head-on in the first Cultural Resource Management course, so once you have an idea and a support system in your thesis committee you just have to keep on plowing through, one chunk at a time.

After courses this spring, I will be heading back to the Midwest to northern Minnesota to work with Grand Portage National Monument on the Grand Portage Reservation as an archaeological technician for about a year and then after that, we’ll see what happens! Interning for the National Park Service over the past two summers and learning how and why archaeology is done in North America through this program has made it possible for me to find a job right after classes. There are also some things I learned outside of classes that I thought would be useful for those considering archaeology or for those in the program here:

  1. The archaeological community is smaller than you think and a lot of job opportunities boil down to who you know, not what you know. If you say anything negative about another archaeologist or if you don’t have a good attitude or good work ethic out in the field, that will travel and future employers will know.
  1. Don’t be afraid to speak up and ask questions in class. Make all those student loans worth it!
  1. Grad school can be overwhelming and it’s easy to get caught up and work on projects or your thesis 24/7. At the very least, take 2-3 hours out of your week and get together with your cohort for trivia at Twisted Jimmy’s from 7-9pm on Friday. Take a deep breath, grab a drink, share a few laughs, and don’t think about any work that needs to get done.
  1. Make sure you are passionate about your thesis topic. If you are lukewarm about it from the start, you will hate it all the more when you’re trying to motivate yourself to write it four months down the line.
  1. Whatever Dr. Ford says, looking at pictures of puppies and watching cute puppy videos are not a waste of time.
  1. You’ll be amazed at the opportunities you can get if you just ask. I got an internship at Isle Royale National Park in 2015 just by introducing myself to the park archaeologist over some ice cream and asking if there were any projects that he wanted to farm out to students for theses. This in turn snowballed into internships and theses for both Isle Royale and Grand Portage, a job this summer at Grand Portage, meeting and networking with other archaeologists, and trainings and certifications. There is always someone out there who needs another field tech or who has a dream project just waiting to be realized.
  1. If you’re feeling discouraged and stressed, remember that everyone else in your cohort is probably feeling the same way. You are not alone. Reach out to others!
  1. In these two years, your cohort and the cohorts above and below you will become your colleagues and your closest friends. Another reason to go to all the archaeology conferences once you graduate!
  1. You can answer every question in class with the phrase “It depends.” But don’t do that.
  1. You will doubt yourself from time to time, but this program sets you up to succeed. You need to remember what makes you a good archaeologist: confidence!IUP Department of Anthropology

My final semester…..

By: Katherine Peresolak

The Carroll Farm

It’s amazing how quickly the past two years have gone, but I was warned! It’s exciting to be in my final semester and focusing on thesis work and writing. My research centers on a historic home (and farm) located in Fayette County that stands on what is now DCNR land. The primary goal was to determine when the older, hand-hewn timber part of the house was built. This and three other research questions were investigated using several methodologies: documentary research, archaeological excavation, architectural survey, dendrochronology (tree-ring dating), and soil chemistry analysis. Answers to my research questions will provide the DCNR managers support in arguing for the home’s and site’s significance and need for funding. While the use of dendrochronology to date house timbers and soil chemistry analysis to understand the farm fields and land use/quality has been so interesting, probably the most exciting part of this project for me has been the public archaeology aspect.

 

Joanna Furnace, 2006, Wheelwright Shop

My own experience in archaeology began when I was 16 and still in high school. Two annual festivals are held at Joanna Furnace in Berks County, to which my mom regularly took my sister and I. I honestly did not want to walk away from the open excavation when I saw it, and my mom saw an opportunity to ask if they (SPA Chapter 21) took volunteers. Ever since then, public archaeology has been dear to me, and I can’t wait to share the results of my thesis research with DCNR and other publicly-accessible outlets so that the history of a 19th-century log house in rural SW Pennsylvania can be told. Another valuable part of my thesis has been the accessibility to three individuals with a family connection to the house. Their involvement only improved what I have been able to conclude in my study.

Staffordshire pottery sherd

I am planning to defend my thesis soon and fully graduate by May, which is exciting, and I look forward to the job opportunities that will be available afterward. Traveling to new places and seeing cotton fields, Cyprus swamps, and other things like Armadillo shells (it’s almost like seeing a live one, right?) and uncovering Staffordshire pottery (trust me, it’s cool) has always been one of my favorite parts of fieldwork, and I can’t wait to see what’s next.

A graduate student’s musings on the NEH and NEA

By: Genevieve Everett

The arts and humanities have always meant a great deal to me as I was lucky enough to be raised in an environment in which expressing oneself was done through painting or drawing in or outside the lines. As a child, my mother and grandmother both took me to as many museums in Delaware and eastern Pennsylvania as they could. All of these experiences opened my eyes to the world around me. However, it wasn’t until fourth grade that I found a way to express myself. Fourth grade was the year when students were given the opportunity to pick out the instrument of their choice and get weekly music lessons from the school music teacher. No, I did not go to a fancy private school, on the contrary, I went to PUBLIC school where my education was FREE. I still remember the day my mother took me to the school cafeteria to pick out the instrument that I would end up playing for nine straight years, the clarinet. This is going to sound real cliché, but music made me who I am today. I struggled with attention deficit disorder as a kid, but still managed to do well in school, because I found something that I excelled in and enjoyed. I credit my interest in the arts and humanities to those music teachers that taught us to tap our feet in time to the music, to the women in my life that showed me that the past is part of the present, and the history, anthropology/archaeology teachers that broadened my understanding of the world.

You may be asking yourself, “why did she just go off on that tangent about music and art and history?” Well, without the arts and humanities, I would not be where I am today: a graduate student studying applied archaeology. The things I listed above, the experiences, especially learning to play an instrument cannot be directly attributed to the National Endowment for the Arts (NEA) or the National Endowment for the Humanities (NEH), but the federal recognition of importance of the arts and humanities in the 1960’s created programs that would affect millions of Americans and American institutions for years to come.

Okay, a little background information on the NEH and NEA…

The NEH and NEA were established as federal agencies by President Lyndon B. Johnson on September 29, 1965 in response to a 1964 finding that, “the emphasis placed on science endangered the study of the humanities from elementary schools through postgraduate programs”. The 1960’s were a time of civil unrest, and the American people began to question the status quo. The civil rights movement was in full force, the first real talks around human impacts on the environment were being seriously discussed, and people recognized that the arts and humanities were not getting their fair share. Since the implementation of the NEH and NEA, it has not all been smooth sailing. The agencies have experienced drastic cuts throughout their 50 + year tenure. Now in 2017 the NEH and NEA are facing similar cuts under the new administration. So, we tell ourselves, “oh, no big deal, they’ll bounce back just like they have in the past.” WRONG. The new administration wants to cut federal spending by $10 trillion dollars, and the NEH and NEA are low on the totem pole when it comes to funding priorities under a conservative agenda.

What does this have to do with archaeology? While archaeology is technically considered a science (whether social or a ‘true’ science, it is a highly debatable within archaeology), it still falls in the ranks of the humanities, such as history and social studies. The NEH provides grants to archaeological or closely related archaeological projects. For example, Sustaining Cultural Heritage Collections is one of the NEH grants created to help, “cultural institutions meet the complex challenge of preserving large and diverse holdings of humanities materials for future generations by supporting sustainable conservation measures”. It is projects like this that protect cultural resources from destruction and deterioration. Although having little do to with archaeology, a project that uses art for the betterment of the American people is the NEA Military Healing Arts Partnership which, “supports creative art therapy programs to help our nation’s wounded, ill, and injured service members and their families in their recovery, reintegration or transition to civilian life”. Without the NEH and NEA, projects such as these will fall by the wayside, and the arts and humanities, including archaeology will suffer.

If you are reading this, and are a concerned citizen just as I am, you can sign this petition: Do not defund the NEA or NEH AND speak to your state and local representatives.

 

Material referenced:

https://www.nytimes.com/2017/01/30/arts/design/donald-trump-arts-humanities-public-television.html

https://www.neh.gov/about/history

Image:

NEA and NEH logo image