Audiences and Purposes

#18: Electronic Sources: Audiences and Purposes (Schreibman, Siemens, and Unsworth) provides to us the argument and complications surrounding the purpose and function of electronic texts.

Birkerts and Baker seem to share some of the same anxieties that we have been discussing all semester: the threat of codex extinction. They both “mourn the changes wrought by the development of electronic media, and fear that books, once decoupled from their physical presence, will lose their meaning and historical importance.” While I don’t think we are close to a Fahrenheit 451 post-codex-apocalypse, I understand and share some of their anxious notions. In conversation with procuring electronic texts, however, the rebuttal to this possibility and fear is that electronic texts may actually do the opposite, as this chapter indicates that Birkerts, specifically, “does not consider other possible outcomes, such as one in which general readers and scholars alike have a better sense of the concerns and ideas of peoples and historical periods with increased access to works otherwise available in only a few libraries.” While I agree that the increase of access provides a larger space and opportunity to interact with rare texts, I don’t think that it directly responds to the possible extinction of the codex. Even the authors’ response to this does not clearly answer that: “The development of digital collections does not require the destruction of books; instead, it may provoke more interest in their existence and provide different opportunities for their study through keyword and structured reading.” To me, this doesn’t answer the concern of Birkets and Baker. Even though this process “does not require the destruction of books,” the possibility of the extinction of the codex is not ruled out.

There is also the issue of access. Electronic digitizations of texts simply for access seems to miss the point, according to Hockey, where “access is the least interesting aspect of electronic texts, for it leaves largely unexploited their real power: the ability for texts to be searched and manipulated by computer programs.” For me, and perhaps for the electronic text collections available, Hockey’s stance on what should be the focus of electronic texts seems to be a bit ahead of the game, at this point. It seems that gaining access to a wide range of texts is the fundamental first step toward anything more complex, such as Hockey’s suggestion for electronic text possibilities.

While there is an array of electronic texts available, it is also very limiting: “The initial hindrances to reading works by lesser-known writers, perhaps insurmountable in the past, can be much more easily overcome in this new medium.” While this is true, those texts also need to be made available. Progressing through the chapter, it is clear that finding out what exactly is available is an “immediate problem” since there is no institutionalized cataloging order of what electronic collections are available. It seems to me, that perhaps before dedicating the studies in this field to all that it can be, there needs to be some rational organization of material, increased standards for electronic collections (publisher and edition choices, for example), and an e-Dewey-type system for categorization before the shift to digital humanities can be curbed to anticipate and refute the foundational concerns of skeptics.

Voyant Visualization as Revision Tool

While exploring applications for Voyant, I wanted to try out how visualization could function as a composition revision tool.

For this series of visualizations, I worked with three versions of my teaching philosophy in preparation for my GI application documents. The goal for this visualization was to map how much I am using the terms that ground my teaching philosophy: Literature, Writing/Composition, Experience, and Pedagogy.

For each version, I have provided the visualization maps of Literature + Writing (+ later Composition) + Pedagogy + Experience.

Version 1 of Teaching Philosophy
Frequency of Literature, Writing, and Pedagogy

Analysis:

This compiled visualization shows us that while there are inter-weaving waves, there are “flat” spots where word frequencies drop completely or remain stagnant. My goal for this text is to showcase my pedagogy and knowledge in a form that reflects its complete connectivity and fluidity. I want “literature” and “writing” to show up together both in frequency, which shows my balanced dedication to both, and also in location with one another, as I am a firm advocate of the reading-writing connection.)

The goal for this correlation is to have each term applied in the same relative frequency as well as have waves intersect and overlap in order to showcase how the three of these terms function within my pedagogy.

Here, we see that my discussion of writing has a greater space in my philosophy. Literature does not reach the same frequency, but increases near the end of the essay, apart from writing.

Pedagogy also flatlines between 5 and 8, when I am discussing writing and literature within the essay.

Based on my goals for this philosophy, the waves between 3-6 should therefore be the target pattern for the entire essay. Each term is interconnected, balanced in frequency, and overlapping.

Teaching Philosophy Version 2
Frequency of Literature, Writing, Composition, Pedagogy, and Experience

Analysis:

Composition + Experience have been added to the frequency mapping. A major part of my pedagogy is the learning experience as a whole, and I wanted to showcase that visually in this chart as well as in my statement. Composition is used interchangeably with Writing. I did not use “Composition” in my first version and have added it to this frequency map, instead.

While areas 2-4 have points of intersection between writing/composition and literature, it still does not reflect their connection within my pedagogy.

Instead of inter-weaving waves with relatively equal frequencies, I have three large and separated waves: Composition, Experience, Literature. With this revision, I have improved their frequency and fluidity between one another, but there is obvious space that needs connected.

From 1-2, pedagogy and experience overlap. This is the goal that I would like to accomplish with each of these key terms throughout the essay. Additionally, from 5-6 before pedagogy stabilizes, there is a positive and similar correlation between pedagogy and experience–one builds the other. This is what I am looking for the graph to more fully represent with the next version.

Teaching Philosophy Version 3
Frequency of Literature, Composition, Writing, Pedagogy, and Experience

Analysis:
Voila! I did it.

This visualization displays how fluid each of these key terms of my philosophy have been integrated with statement content. Since the crux of my personal pedagogy is balanced and recursive (as in reflective-reactive), it only makes sense that the visualization reflects that in terms of frequency patterns (the waves) and intersections of the key terms of my philosophy. This visualization of those terms is visibly more balanced, as terms weave between each other, repeat correlations, continually layer on top of one another, and create a variety of frequency waves with multiple term pairings.

Points of Reflection:

1. It is important to know the writing that is being revised. For example, my rationale for why I did not pair pedagogy with my student + classroom mapping would have altered the frequency patterns in a way that does not complement the content of the statement.

2. With this revision process, I would correlate the word frequency with content. It is important to recognize that just because there is a high frequency doesn’t mean the writing is really “saying” anything. It is necessary to work recursively with the visualization, the numbers, and the work, itself. (i.e., if students were to use this tool, a general “find and replace” would change the frequencies, but not the pattern of ideas/narrative.)

3. For this analysis, the frequency count between the three versions does not hold value for this revision. An additional revision goal was to truncate this essay into one page. As a result, the word counts for each of the versions will decrease, which does not reflect a loss of focus, as it possibly would if I were to have kept the same page limit as version 1.

Scaffolding Our Way toward a DH Project: Pedagogical Foundations of Looking for Whitman

While checking out the “Finding Whitman” DH project, I kept connecting the multiple projects and assignments with the basic foundations of literature circles.

In no way am I trying to unethically reduce the pedagogy behind this DH project, or similar ones. Rather, I am trying to build a schema from what pedagogy with existing tools makes DH projects so transformative.

I think the roots are in literature circles, at base level–a group with different roles and expectations (different DH projects and assignments) to create a well-rounded discussion and co-exploration of a text. After all, isn’t the point of meaningful pedagogical assignments and lessons supposed to start a conversation?

    Frontispiece Project mirrors the Connector Role
    Image Gloss and Material Culture Projects mirrors the Illustrator Role
    Annotations Project mirrors the Passage Master/Literary Luminary Role

I also think that DH projects have the ability to take the basis of creating conversation and co-constructed understanding to the next level beyond the discussion that literature circles offer. DH projects, like this Whitman one for today, is also a resource, a platform for publishing, and is an easily adaptable, “live” space because it is open source.

Though this idea is innovative and breaks the classroom confinements and boundaries, there were mixed reviews from participants. I feel that maybe scaffolding toward such a DH project requires attention to the basics, pedagogically working from the ground-up to the WWW. Would modeling the co-constructivity in the classroom before dedicating to such a project (or similar project) help students appreciate and rely on interacting in a more meaningful way? In my mind, here’s the scaffold: Lit Circles (with modifications + additional activities)–>Class wiki/blog–>Class DH Project–>Inter-campus/location related DH Project. Would mastering these DH projects in the spaces and locations we are most comfortable in be a possible way of integrating a larger-scale project? Or, are the larger-scale and multiple locations just “too big” for “us” right now? What is the best approach? While we all have to operate on our own pedagogical praxis and comfortability levels, it would help to have some model based in theory to apply to praxis. I’m open for opinions on this. I think this is an important point to address, if we are ever to implement a DH project or tool that reaches each student in the most meaningful ways possible.

Classroom Applications for Voyant

In efforts to incorporate digital literacies and technologies into the classroom, I began brainstorming a list of classroom applications. Since much of our discussion focuses on how to use these tools in meaningful ways, I thought we could all participate in offering our own practical suggestions. I am not sure where to go with this in a Lit course, as we have discussed the various ways that these tools were utilized in our readings from last week, but I’m thinking we should be focusing on extensions of those activities–the “so what?”

Dear community of scholars, please add on to this meager list of mine!

    Voyant

–Composition Classes–

Application: Writer’s Notebook
Pedagogical Value: Allows for inclusion of multi-genre applications, mapping of word frequencies, which may lead to general themes of writing, can be used for brainstorming entries, etc.

Application: Revision Processes
Pedagogical Value: Maps word frequencies, could help with word choice, repetitive phrases, parallelism, etc.

–L & C Classes–
Thinking of ways that Voyant can be used in the context of the classroom, I’d like to add this to our running list from class discussion yesterday (3/3) with Dr. Sherwood’s Thoreau Voyant:
Application:Index for Comparison/Contrast or Mapping of Rhetoric.
Pedagogical Value:
With a work like Walden, Thoreau makes an argument for his anti-social lifestyle. Based on the mapping, there is a wave intersection between “solitary” and “social” when the diagram is enlarged between 31 and 35.
Looking at the diagram, it looks as though these two opposing terms represent a dialectic: solitary (thesis) and social (antithesis). The dialectic takes this map: thesis–>antithesis–>thesis–>antithesis–>thesis, which then conclusively rises above the rhetoric (frequency increases) and is correlated with a rise in the word frequency of “solitude.”
The application of compare/contrast already provides a visual Venn diagram with the purple and green lines, which can help students in locating the trends and points of intersection between these terms. Additionally, this visualization can offer to students a visualization of the rhetoric and dialectic mentioned above, which can be used in a lit or comp class.

*Screen shot of magnification of this frequency section borrowed from Dr. Sherwood’s blog: *thoreauvoyant

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