Twine Final Project

My next step in developing the first assignment into a project, I thought about how to create a real website for me. However, I am aware that achieving this goal requires a lot of work and efforts that may last long time before the official launching. I added more topics and links to the project so that the project could stand as a formal site for teaching in the future. The Twine project shows more complicated processes that were conducted to create an educational website that serves the educational process. I employed many things that I learned about the program, including sharing a link, uploading pictures, and changing format. In this project, I employed technology not to be my focus in the program, but I want that to yield in better results that lead to facilitating the learning-teaching process when it comes to teaching and exploiting this program in classrooms.

In final my project, I initially used Twine to introduce a theme that I noticed in Earnest Hemingway’s short stories to my students. I discussed the topic in a basic way, using my beginner experience through the program to present that in a classroom. After the course progresses toward the end, I learned many things from the course and from my colleagues’ presentations as well. I employed all of that to incorporate another major topic, which is the “Indication of Colors” in literature. My next step in developing the project focused on connecting this topic to the original one, employing the program to present it to students in classrooms.

 

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Lesson Plan Presentation

A Class Lesson: How to Incorporate Interactive Fiction to Literature Course
Incorporation with Introduction to Literature. Why?
– Interactive fiction is not familiar for some undergraduate
– Several courses on Traditional literature
– Interactive fiction becomes an ingredient part of the syllabus
– designing the program?
Text: Galatea
Burdick thinks that other programs that can stand as texts and games provide     knowledge for students; therefore, “in the digital realm it becomes an interactive site for creating, representing, and navigating knowledge” (47).
Why Galatea?
– This text contains many issues that pertain studying interactive fiction and introduce the idea of digitalized literature as part of digital humanities to students.
– Postmodern literature
– Breaking the routine in teaching literature
– Linguistics
Methodology and Procedure
– Varying instructing methodologies in the learning-teaching process:
o recent pedagogy, educational strategies, technological tools
o class discussion, group work, individual activity, Fun
– Theoretical vs. practical
– Using facilities: networked lab, computer, laptop
– Change classroom: increases the desirability of learning
– Collaborative work: students from different levels
– Print out the text: presentation
– Analyzing the literary texts: Plots elements
– Attempt to incorporate some theoretical discussions
o Postmodern
o Formalism
o Any Possible Theory
Evaluation
– Professor’s Evaluation: initial, constructive, final
– Peer Evaluation
Assignment

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Digital Humanities and the First-Year Writing Course

Stanley Fish tries, in his article, to reduce courses to certain contents. He does not want theses courses’ content to go in multi linear directions that serve multiple aims. He focuses on getting the basics, but I think that the basics are different from learner to another according the potentialities and abilities. He is right to certain extent, and, of course, he defends his point of view in his original article. I feel that such reduction puts pressure on educators when setting up their syllabi where they become restricted through specific guidelines that limit creativity in generating unrestricted lesson plans. The arguments of the panelists agree on specifying certain contents to certain courses. It is true that sometimes the “content is always the enemy of writing instruction”, in composition courses as they argue, but I have a different standpoint; the school, or even university’s, syllabus needs some kind of innovation and modification to meet their new expectations. I would suggest the introduction of certain courses that provide certain kind of contents. Prerequisites courses can serve this idea and can be part of the solution; setting up extra intensive courses for specific purposes always has a considerable impact on learning. I still believe in incorporating technology to any suggested change or upgrading to the syllabus in any educational situation. That is because this incorporation has a great effect on us as graduate students, so I expect the same and more for undergraduates or students at school levels. Visualization in education is the next step that technology should influence education to transcend it into the next level. Digitalizing humanities, I guess, allows computing for computers and writing. And as we noticed in the article, a very high percentage of educators are employing technology in humanities disciplines and courses, including compositions. I am worried how to extend that innovation in education to include many other parts of the world that still lag when it comes to that process. This makes me think about the validity of Fish’s thoughts when it comes to apply them onto the other parts of the world or even on the second language learners in the United States.

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The Punishment for Subverting Gender Roles

I conducted some basic gender studies using Voyant in analyzing some possible data in my analysis.
I tried to analyze a theme that exists in some of George Eliot fiction. The program, Voyant, helped me to apply gender theory on Eliot’s fiction. I selected three novels, which are The Mill on the Floss, Silas Marner, and Daniel Deronda. I uploaded the three novels to Voyant after I saved them texts, using the Notebook program.
I noticed that Eliot deliberately feminizes the heroes in the novels and give masculine traits to the heroines. Then Eliot punishes the famished men and transgressive women because she thinks that they rebel against the traditions and norms during the Victorian age. As part of the punishment, as the word trends show us, Eliot expels feminized heroes out of their selves, out of the novel, out of Britain. Again the curved lines shows that Eliot punishes heroines with death, spinsterhood, hatred, and expulsion.

Voyant Project
Cirrus
Word Trend


Terminology Statistics

In terms on the terminology of gender theory that exists in the novel. The Words Trend helped me to give statistics on the way these words are employed. We can see how many times Eliot uses the words man, woman, meek, transgressive, death, spinsterhood, masculine, and feminine.
We can notice that, for instance, “man” is used much in Silas Marner because the idea in my suggested theme does not exist in this novel. Therefore, I can trust the program’s outputs because when I read the three novel, I actually found that this novel could be excluded from the discussion about this idea. While it does exist in the other two novels. On the other hand, we can notice the use of the word “woman” in the novels is about the same number in a moderate way.
The same thing is applicable to the other terms that are key terms in gender theory.


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Visualizing Millions of Words

This article tackles the relationship between visualization and the meaning it indicates. For example, Ngram is a helpful tool that was invented to tell the relationship between words in many books through statistics. The purpose of such tools is similar to other ones, such as Voyant, that provide statistics for visualization online. The former gives the approximate number of words and how many times they are repeated in a collection of books. The novelty of these programs makes them more educational because of exploiting colors and because of the component of other tools that they engage. This sometimes has undesired educational results because engaging many colors and moving pictures distract students’ attention from the content. Kelly anticipates something similar to that when he says: “I will leave it to the literary scholars and the linguists to hash out the thornier issues here”. He should address the psychologists as well.

Again, pedagogy that deeply relies on colors, motion pictures, and texts as games attract students for better learning and understanding when approaching information, using these programs. Nevertheless, there is a fear that the excessive use of that colorful texts or games attract students’ attention toward the means more than the content. That should be taken into the consideration of educators when launching their programs. They need to be moderate when dealing with these facts. So students have the chance to exploit these programs in the right way as intended when they were launched initially.

The big bulk of Kelly’s article deals with the positive aspects of the visualization information. He describes perfect experiences when engaging this technology inside classes and online; that really forms virtual environment of learning-teaching process even though students do not need to be in the classroom. Distance learning is significant nowadays in which students can communicate and interact easily from many different places. Equally important, Kelly refers to the graphs and their importance in providing facts about words and books online. So he refers to the importance of education through using the phrase, “technical discussion”. That is because they provide exact information, not speculation, on a scientific basis and employs technology in pedagogy.

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Walt Whitman Archive

It is very interesting how this article tackles some issues in “Looking For Whitman: A Multi-Campus Experiment in Digital Pedagogy”; I feel it is an extension for it. First, this article starts with touching on the idea that fossil minds always resist change, especially the change that leads to development and growth, which are necessary to humankind’s prosperity. The history is full of examples of intelligent creatives and discoverers whose ideas and innovations were severely resisted. Ironically, the coming years reveal their exceptional potentialities, and then they are classified as premature because their ideas become authentic and valid even over the following century.

“The Walt Whitman Archive” is a good website that provides a collection of poems with commentaries on them. It can be considered as a good start for education if an educator considers this poet in his/ her syllabus. Whitman has an educational background besides being a poet. Whitman ideas about innovating were seen as unsuitable and did not fit educational positions initially; however, they seem valid after awhile. Digital humanities and recent pedagogy are somehow extensions to such innovations that took place early. It is true that the introduction of a computer inside a classroom was something new that received different reactions, including the fear of approaching technology or the optimism to engage that in education. With the passing of time, using computers and technology become vital components inside classrooms that their use cannot be avoided and becomes an integral part of the educational process. Some of the modernity in education has its roots in the past, and it is considered as an extension to pedagogues’ premature ideologies regarding novelty in education. Today, classrooms members do not need to exist in the same place, there are many programs that connects students with educators while they are away. Digital humanities creates virtual environment through tools and digitals media. Students interact with each other through many activities that universities websites provide. “Looking for Whitman” becomes a pedagogy today, in which educators look for “open education” that is not framed through dull routine. Students learn through fun activities better than many traditional ways. The online learning is part of that activities and part of that fun where students learn at their own pace if limitations and restrictions do not accompany their tasks. “Looking for Whitman” has a great significance to education nowadays, and it seems as if it becomes as a symbol for applying critical pedagogies inside classrooms, exploiting any possible technology to achieve lessons’ goals.

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Galatea, the Escapable Text

Galatea is a kind of interactive fiction where Emily Short creates a game to convey knowledge. This novelty in writing suggests a sort of query text that engages readers in selecting the text. Therefore, the text in Galatea requires the readers to enter commands and comments, mainly using verbs in order to shape the text. Different commands lead to different texts, so the text in Galatea is not stable, it is volatile and dynamic. What strikes me is the idea that it needs different commands so as I can continue up until the end, but there are different ends that depend on the mood of Galatea. These ends are completely different, and sometimes I feel that they are far-fetched; I feel lost while navigating toward the ends. In such case, I went back to the beginning and repeated the same processes. There are many clues to continue to the end; different clues lead to different ends. Finally, that results in different experiences to readers, different environments according to different moods.

This new kind of literary text, or maybe game, relies on the readers’ commands. Thus, different players, or readers, rarely find the same text; that is why I feel text escapes from readers. Maybe some readers classify Galatea as a game; however, it employs the characteristics and elements of fiction. For example, there is a plot for every story even though there are different plots according to different directions and comments. Then there is a begging and end for the story. Moreover, one important element is the suspense in the story that prompts readers to continue their navigation in the text or game.

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The Promise of Digital Humanities

This class is going to open horizons in front of the students, in the class, on how to digitalize printed materials, or at least be familiar with how to access them. This gives me a hope that our students in the future find it easy to access and interact. I hope we, as students now and teachers in the future, could mater the course goals to convey them to the new generation through praxis. And that comes true when we feel interested in the course and its materials. This interest could be developed through the interaction and engagement in every topic. I hope I could apply the issues that I am learning when creating a platform for my classes and enhance that with a private wiki that could serve all my futuristic courses. I am sure that I can spend much time on that and allow my pupils to acclimate themselves easily to such technology, in which everything becomes accessible online through using many available tools and websites. That is because technology is invading each branch of sciences; it has become now that it is illiterate if someone cannot use technology, not the one who cannot read and write. Accessing technology reduces time and space and saves efforts for scholars, teachers, and student in everyone’s missions. Digital humanities is very interesting to help materializing these goals. Reading Digital_Humanities carefully is very helpful start point, and it has a great impact in transferring teachers from their traditional roles into monitors of their students’ roles in interacting with technology and exploiting it in their learning process.

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Charles Bernstein “On Election Day”

This poem exposes the practices and behaviors that are conducted during an election day. In the poem, Bernstein shows that people are classified under two categories: one range of people engages themselves in the election and its consequences, while the other looks at it as any other normal day. The poem reveals that the election day is a normal one for women and children because “The sister does her washing, on election day,” and “the children sleep alone in bed, on election day.” These lines indicate that some women stick to their domestic work while others leave their children sleeping alone in their beds to participate in the election. The poem, in the line, “The men prepare for dying,” indicates that most men involve themselves in that process except those who have special occasions such as mourning.

This poem engages the language of politics where the poem’s atmosphere expresses the poet’s disgust and resentment of some outrageous practices that stand out in that day in order to achieve personal interests. In the poem, Bernstein rebels against the political and social hypocrisy that accompany this important event, which is eagerly awaited by people in order to make the change. The poet provides chaos and a subverted atmosphere from the beginning when saying, “I hear democracy weep, on election day.” I do not think democracy in this line is weeping because of happiness since the following lines do not provide this impression; therefore, we expect something wrong are taking place alongside the election. The birth of democracy, in the poem, is accompanied with sadness and wailing because the election does not yield satisfactory results due to the hypocrisy that accompanies this process. Bernstein does not leave the reader lost or confused about the reasons of the democracy’s sadness instead of its happiness and joy in that day. The third line clarifies that equality does not mean justice sometimes because “The miscreant’s vote the same as saint’s, on election day.” This line is full of fear that the miscreants and scoundrels’ votes may outweigh, this subverts the happiness of democracy. Much subversion takes place in that day; the rest of the poem provides many examples on those practices as “The liar lies with the lamb,” and “The ghosts wear suits.”

The poem is loaded with political concerns which all of people suffer their negative effects in their daily lives. I think that Bernstein is generalizing his experience to all nations. I am not sure if he is addressing a certain nation. But it seems that what happens in elections is the same in many places and can be extended to all countries. Bernstein employs poetry to express his deep thoughts toward breaching and violating the principles that things were built on. Bernstein in this line, “I feel like a nightmare is ending but can’t wake up, on election day,” hopes that the chaotic situation reaches its end, but he thinks that there is much time to materialize his dream. He intends to transcend himself from the nightmare consternation to the dream exhilaration, and to transcend the bad manners that affect the election ceremony to the supreme.

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Coal Mountain Elementary: The Lessons Plans Goals

Even though Coal Mountain Elementary consists of three lesson plans, where the curriculum relies on excerpts from American Coal Foundation, this book is not what it seems to be. Mark Nowak’s purpose in the book is not to teach a lesson nor wants his book to be praxis of teaching methodologies. The book implies how horrible curricula are, especially those curricula that are agenda-oriented, which serve a certain class of people. When tracing and introspecting the objectives of the three lessons plans, the aims reveal their bias in favor of the upper-class beneficiaries of mines’ productions. Nowak points out that the educational goals are deviated through their implication in class bias. The educational goals, in the book, completely neglect giving a realistic learning experience because they aim at teaching how coal mines are sources of prosperity and development for the upper-class; moreover, it occurs simultaneously that the goals are not designated to educate students how the same coal mines are sources of hell and abyss for the working class and their families. However, Nowak reports information, in different places, about the miserable situation and suffering of the working class, but the lessons’ goals are not allocated to serve this purpose. Nowak’s concerns extend to all information in all curricula. He implies that some oriented curricula are devilish and disgraceful because they only serve capitalism through misleading humanity. The lessons plans makers dehumanize the working class and consider them as an ingredient part of the coalmines. Moreover, Nowak refers to the high percentage of information inaccuracy in curricula, and the book should raise questions such as, who are the beneficiaries of creating such educational strategies?

Nowak explicitly mentions that the working class members sadly choose their fate because they are compelled, and they have no other choices. He says: “most miners were peasants desperate for work. ‘They know the danger but still want to be coal miners because they cannot make a living on the land’” (43). Readers find that the goals of this lesson, for example, were not designed to deliver this information. The goals want students to “re-create the historic process of making coal flowers” (4), and  to “participate in a simulated ‘mining’ of chocolate chips from cookies, using play money to purchase the necessary property, tools, and labor” (69). Nowak wants educators to consider the following suggested goals when teaching about this issue, so their curricula demonstrate realism:

The missing educating goals in the curriculum:

After studying this lesson, the students are expected to

  • Know the preventive measures and safety measures that must be taken by coal miners.
  • Realize that mining is double-edged sword: Coal mines are a grace, filled with lots of treasures and riches that revive the economy; the other face of the coin, mines can be a curse for workers.
  • Recognize the environmental hazards to workers, such as humidity, high temperatures that cause fatal thermal shock, dust and its role in causing lung problems, workers fall from high distances, the occurrence of fires, sudden explosions, electrical accidents, and collapsing mines.

etc.

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